It goes without saying that u-he encourage the use of Divine mode as far as possible, since it is here that Diva "shows her true talents and attitude."
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This is a rare feature in software of this type, and an extremely useful inclusion, since one could use Draft mode during production and switch into Divine mode for final bouncing or rendering.
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Playing more than a couple of notes with this type of sound on my new(ish) Macbook Pro resulted in horrific glitching and drop-outs fortunately the designers have taken this into account, and provided four different audio quality options-from "Draft" to "Divine"-which allow the user to balance sonic accuracy against the processing power of their computer. As with other "hungry" synths, the user is most likely to experience problems when using rich, layered, polyphonic timbres with long release times and spatial effects (reverb/delay). This is down to the uncompromising design of its circuit emulators, specifically with regards to its filters which feature zero-delay feedback, resulting in a much more accurate representation of analogue hardware than the majority of soft-synths. The first thing to note about this instrument is that it places a heavy burden on the host CPU, and so a powerful computer is required. This synth has been the subject of great anticipation in the weeks leading up to its eventual release, with a (discounted) public beta being made available in mid-November last year, and the final version following a month later.ĭiva is installed in VST and/or AU formats, together with an optional-and very extensive-bank of presets.
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With Diva, u-he are attempting to deliver a product which sounds as good as a virtual analogue synth possibly can.ĭiva is in fact an acronym: the synth's full name is "Dinosaur-Impersonating Virtual Analogue," which indicates the designers' aim to "capture the spirit of various classic analogue synthesizers"-the Dinosaurs of the title. The success of contemporary hardware by the likes of Dave Smith and Moog prove that there is still a solid user base eager for the real thing.
The major point of contention with software subtractive synths-especially those intended as "authentic" emulations of expensive vintage hardware-has been the long-running debate over whether a piece of digital software can ever fully recreate the sonic nuances of a well-maintained analogue synthesizer. One of the latest instruments to be released into this last category is Diva, from German company u-he (the corporate identity of its founder, Urs Heckling), who have a strong track record of great-sounding products, notably their Zebra synth and Filterscape dynamic filterbank. Soft synths employing virtual oscillators, filters, envelopes and LFOs vary enormously in price, quality and complexity from the proprietary synths bundled with most DAWs, to freeware models, to "premium" launches from Arturia and Native Instruments amongst many others.
The immediacy of subtractive synthesis controls (especially when operated with a MIDI controller or DAW automation), coupled with their low cost in comparison to vintage or contemporary hardware, has proven irresistible to countless producers.
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Then he teaches you how to use the modulation sources available in Diva, and how to take advantage of the luscious effects available.Īfter the plug-in has been thoroughly covered, Sami ends the series with five videos on designing your own sounds in Diva.
Next, Sami walks you through how to use the arpeggiator, along with visual guides on what the arpeggiator modes are doing to your MIDI performance/notes. The trimmer section, amplitude, and panning controls, as well as going into more details about stacking the oscillators to make Diva sound absolutely huge are all explored. Sami then reveals Diva’s filters and covers Diva’s envelopes and LFO section.Īfter the basic sound creation tools are explained, Sami shows you the different play modes available along with demonstrating why they are there. Sami begins with the initial layout of Diva and then explores the oscillator section while demonstrating how to activate FM, Cross Mod, and Sync. Join synthesizer star Sami Rabia as he shows you all her secrets, and teaches you how you can make Diva shine in your own projects! U-He has a star on its hands with its virtual analog powerhouse, Diva.